[Dau huja na maji hujaa]

Moja:

Nobody returns after they leave. The language sheds its layers.
The dhow waits, its masts sing & the narrow hull moves swiftly
through the water as if reciting a lullaby.

Mbili:

Once you become the ocean’s bride, you will be adorned with pearls.
Male predators will drown in the monsoon streams.

For once, you will be a woman carrying corals for nine months.
For once, you will not have to watch your back. Swim. It is easier than drowning.

Tatu:

Not everyone gets to the border. Those who leave become nameless.
Those left behind, eaten by Jonah’s whale.

Laugh. Howl. Ululate. Wail.

Nne:

In my grief, I write the names of those who drowned
before the tides erase what is left.

I point to the horizon. Buntwani is a casket.
I point to the clouds. Everything is woven white. I point to the sea. Her bones are half-buried.
I point to myself. Wait.

Tano:

I point to the dhow. There. You cannot unsee her return.
A dhow is a dhow is a dhow is a dhow is a dhow.

 

*Photo by Yacine Ghozzia on Unsplash

By Salma Yusuf

Salma Yusuf is a writer and designer. Her work has been published in Lolwe, Doek, Brittle Paper, Kalahari Review, Isele Magazine, among other publications. Three of her short stories were included in Captive, an anthology by Short Story Day Africa. Her work explores multilingualism, post-colonialism and questions of memory and belonging. She is currently working on a spice manuscript that examines how spices, dhows, languages and cultures converse along the Indian Ocean, from the East African Coast to Hadhramaut, Yemen.